Dissed by ABC: Dirty Sexy Money, Eli Stone, Pushing Daisies

November 21, 2008 by Chandra  

Pushing DaisiesThe news is spreading like wildfire all over the Internets: on November 20, ABC announced more changes to its midseason schedule that include:

• The Thursday pairing of Grey’s Anatomy and its spinoff Private Practice, beginning on January 8

• The Wednesday pairing of Lost and Life on Mars, which has also received an order for four additional episodes, beginning on January 28

• The simultaneous return and ABC premiere of Scrubs on Tuesday, January 6 at 9pm EST, following double episodes of According to Jim at 8pm

What’s most notable about the schedule, however, especially to us dramedy fans, is the absence of three of television’s most engaging, entertaining, and arguably unique series: Dirty Sexy Money, Eli Stone, Pushing Daisies.

Jonny Lee MillerFollowing a fall season filled with ratings lows for all three programs, ABC has declined to put any of the struggling sophomore series in the midseason lineup. Reports further indicate the network has likewise passed on extending their seasons to a full 22 episodes.

Consequently, as it stands right now, ABC has just publicly issued a de facto cancellation notice for the trio of shows. Sometimes the business of television really sucks.

The good part of this depressing development? Each series will complete all 13 episodes initially ordered, and maybe we’ll even get to see them on the tube. There are currently eight remaining episodes of Eli Stone left to air and and seven of Dirty Sexy Money and Pushing Daisies.

For the number crunchers: this season, Dirty Sexy Money has averaged 6.6 million total viewers, Eli Stone 7.9 million, and Pushing Daisies 6.4 million. In fact, Eli’s numbers match those of Life on Mars‘ most recent airing, except Eli only averages a 2.1 share in adults 18–49, whereas Mars scored higher with a 2.6.

Wow — the difference is astounding! [/sarcasm]

Photos: Newscom (top), ABC (bottom)
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Comments

11 Responses to “Dissed by ABC: Dirty Sexy Money, Eli Stone, Pushing Daisies”
  1. Arieanna says:

    So sad about Pushing Daisies. And seriously, what are they expecting from ratings anyway?! They’ll never get ratings like they used to. That kind of system is dead.

  2. Julie says:

    I am really surprised about Pushing Daisies. I thought that the ratings were fairly decent and it was finally a show that was completely different from any others. *sigh* so sad.

  3. Darcie says:

    I’ve never even heard of those shows, so I guess they couldn’t have been all that good anyway.

  4. Chandra says:

    I agree with you both 110%, Arieanna and Julie. All three shows were really fun to watch and worth a full season, in my opinion. I can’t believe not even *one* made the cut.

    And Darcie, you’re kidding, right? If not, you might want to check ‘em out before they disappear. You’ll probably like at least one.

  5. Brandon Curtis says:

    “Where were you in ‘99 when the dam began
    to burst…?”

    The above is a loose play on an old hard rock
    tune by UK band Saxon. In the original
    tune, “Denim and Leather,” the lyric refers
    to the beginning of a new hard rock/metal
    style; break from old bands-Deep Purple, Black
    Sabbath, etc.

    In my version, 1999 is the marker year for
    reality television, beginning with WHO WANTS TO
    BE A MILLIONAIRE? While the show seemed to
    be just a modern game show, it started
    a trend.

    In 2000, SURVIVOR was born, taking the game
    show motif and putting an exotic costume
    on it.

    Soon, the networks found a near foolproof way
    to raise profits and keep acting labor costs
    down. Most actors are part of SAG (Screen
    Actors Guild) while most reality stars are not.
    Therefore, the networks only have to pay
    the equivalent of miminum wage or
    they pay a flat 1099 fee to such contestants.

    Since 1999, networks have churned out Dancing with the Stars, American Idol, Fear Factor,
    The Great Race and now Momma’s Boys.

    Because of this instant gratification syndrome,
    networks became loathe to give actual shows
    a fighting chance. That is why many of
    the good shows were made on HBO or
    Showtime; The Sopranos, Deadwood, The Wire
    and now True Blood.

    I am a fan of Dirty Sexy Money. I think in its
    inception (just my opinion), the show was
    aiming for dark comedy; Soap(the old parody show that had Billy Crystal) with an attitude:
    It made fun of spoiled socialites and had a snarkiness to it: Juliet Darling and Natalie Kimpton were obviously spoofs of Paris Hilton
    and Nicole Richie. Jeremy Darling was a take
    on Spencer Pratt and Brodie Jenner. Natalie
    Zea as Karen Darling was obviously taking shots
    at her former show, Passions; spoofing the
    rich bitch. And Sutherland as Tripp Darling
    was a modern Chester Tate; a play on
    JR Ewing and Blake Carrington. The name
    Darling seemed to imply dark parody.

    Nick and Lisa George seemed to be a modern
    Burt and Mary Campbell; middle class folks
    who somehow are linked to the Darlings.

    Midway through Season 1, the show seemed to
    become what it set out to satirize; a soap.
    The rivalry with Simon; Karen dating Simon
    and the slow erosion of the Georges’ marriage.
    In season 2, while at times, they tried to
    show a certain chess match mentality between
    Simon and Tripp similar to the tensions
    between Johnny Sack and Tony Soprano or
    the Michael Douglas and Terrance Stamp
    characters in WALL STREET, it delved deeper
    into soap territory: the affair between Jeremy
    and Nola and then Jeremy and Lisa; the
    whole houseguest angle, etc.

    But, it was entertaining. However, people want
    “reality” tv; where there supposedly is a real
    outcome as a result of competition and
    voting, as opposed to scripted drama in which
    you have to suspend disbelief and use some
    imagination. Reality tv allows people to either
    feel better about themselves or vest themselves
    in the process i.e voting to retain or eliminate or
    identification with a certain person (Carrie Underwood) or loathing a certain person (Richard Hatch, William Hung, Sanjay). It’s hard to hate
    a fictional character but easy to hate or mock real people who willingly enlist for such publicity.

    Anymore, if I want “reality tv,” I just watch AC 360 and CNN. For entertainment, I’ll throw on one of my movies. TV sucks and
    I refuse to watch reality tv because I believe
    it to be a farce anyway. Who cares what ex
    NFL player can or can’t dance? If I want to
    hear people sing, I will play one of my CDs.
    And, if I want to watch people gut it out in
    the wilds, I will watch Discovery or move to Alaska.

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  4. [...] ink is barely dry on ABC’s utterly depressing cancellation of technicolor dramedy Pushing Daisies, and already much-loved series star Kristin Chenoweth has a [...]

  5. [...] — when fans are clamoring for the survival of prematurely canceled but beloved shows like Pushing Daisies and Lipstick Jungle? That’s business for ya — dollars, not loyal viewers, [...]

  6. [...] It goes without saying, but I’ll say it anyway: Just be happy ABC plans to air the remaining installments at all … and hope (fervently) the situation stays that way. For more on the cancellations, read Dissed by ABC: Dirty Sexy Money, Eli Stone, Pushing Daisies. [...]



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